Interieur (1951). Edgar Fernhout (Dutch, 1912-1974). Centraal Museum Utrecht.
In his early period, Fernhout painted still lifes and portraits. He was initially influenced by his mother’s realistic style. He began to experiment with other styles and subjects, but through the influence of his mother, he returned to a precise realism.
And death shall have no dominion. No more may gulls cry at their ears Or waves break loud on the seashores; Where blew a flower may a flower no more Lift its head to the blows of the rain; Though they be mad and dead as nails, Heads of the characters hammer through daisies; Break in the sun till the sun breaks down, And death shall have no dominion.
El principal beneficio de una noche es que te deja esperar en silencio, es importante porque esas esperas son las más largas y caben muchas cosas en ellas. Mi gata y yo esperamos juntas, ella esperar morir, y yo espero una respuesta.
The cityscapes and industrial vignettes of Valerio D’Ospina are at once weighted with melancholy and alive with motion and energy. The italian-born artist demonstrates a refined technique that incorporates his distinctive emotive aesthetic with a masterful appreciation of the classic traditions.